Showing posts with label music courses. Show all posts
Showing posts with label music courses. Show all posts

Thursday, 1 July 2010

Secrets of House Music Course - This Weekend!!



Calling all house music producers! You still have time to enrol on our 'Secrets of House Music' course in association with Sample Magic.

The intensive weekend course which is taking place on Saturday 3rd and Sunday 4th of July will be led by expert music producers Bruce Aisher and Sharooz, all at the Point Blank studios in London.

Plus, every participant will leave with an exclusive goodie bag worth over £300 including a copy of Sample Magic's 'Secrets of House Music Production' book, sample packs and a Point Blank T shirt.

Find out the full course breakdown and booking information here: music production course

Get in touch with a course advisor on 0207 729 4884 or luke@pointblanklondon.com to book your place.

Friday, 23 January 2009

DJ Masterclass with Allister Whitehead



February 4th sees the visit of a true House Music originator to Point Blank - DJ legend Allister Whitehead will be visiting the college to host an exclusive masterclass in front of a select gathering of students. During the hour-long session, Allister will reveal the secrets behind 20 years of success on the decks and share insights into everything from building a killer set to presenting a demo CD and networking with promoters.

Allister started DJing at the age of 17 and forged his reputation spinning at world famous clubs including The Hacienda, Ministry of Sound, Cream and Gatecrasher. His name became globally recognised with the Gold selling Fantazia album 'The House Collection 3' which was at the time the biggest selling DJ compilation ever. He has since gone on to achieve 3 more Gold and 2 Silver albums with compilations for Fantazia and Ministry of Sound.

Allister is also a skilled and respected producer and remixer. His remix of Gala’s “Freed from Desire” was the catalyst to the track selling over 500,000 copies in the UK and becoming the biggest selling record in France of all time. He has also worked with the likes of Martha Walsh, Natalie Imbruglia and Robbie Williams.


If you are serious about making a career as a DJ then this is an unmissable opportunity. The session will take place on Wednesday February 4th from 3.30pm at Point Blank Music College in London.

Thursday, 27 November 2008

Ableton Courses - A New Way of Making Music

If you are into music technology and already making music at home using a DAW (Digital Audio Workstation) then I am sure this scenario will be familiar. You sit down to start making some music but faced with a blank timeline, inspiration deserts you and you are left feeling creatively uninspired. Music software packages such as Cubase, Logic or Sonar have all evolved along similar lines and operate in a similar way. Unfortunately they offer only one approach to the music making process which doesn’t necessarily encourage experimentation and spontaneity.

The good news is that Ableton Live has been designed to offer a genuine alternative way to work and is growing in popularity amongst those of us who are bored of working in the traditional way. Interestingly Live takes a similar approach to the old hardware sequencers that were popular with live electronic acts such as Orbital and Underworld. These sequencers used looped sections of a track (see Ableton Courses info for more detail) which would be triggered by the acts on stage and manipulated via FX and EQ to provide the audience with a live, spontaneous remix of tracks they already know and love.

Ableton Live has two modes or “views” in which to compose your music. The arrangement view will be familiar to anyone who has used some of the traditional sequencer packages mentioned above. But where Live really comes into its own is the Session View. The Session is used to organize and trigger sets of sounds, called clips. Think of it as a kind of musical sketch pad where you can experiment with audio loops, samples and MIDI sequences before arranging them into a track.

Another unique feature in Live is its ability to manipulate audio as if it was elastic. Live's Time Warp feature can be used to either correct or adjust the timing of any piece of audio from a sample to an entire track. This means that tempo becomes completely fluid and you can fit any audio sample to the tempo that you are working at. “Warp Markers” allow you to push and pull individual beats to correct (or destroy) the timing and create unique effects. You can choose from several Warp Modes depending upon materials you work with.

Ableton Live also features an array of built–in instruments and effects:

Impulse is a basic drum sequencer instrument Simpler is a relatively easy to use sampling instrument.

There are a number of additional instruments which can be purchased separately or as part of the Ableton Suite package:

Sampler is an enhanced sampler
Operator is an FM synthesizer.
Electric is an electric piano instrument.
Tension is a string physical modelling synthesiser.
Analog simulates an analog synthesizer.
Drum Machines is a collection of emulators for classic drum machines.
Session Drums is a collection of sampled drum and percussion instruments.
Essential Instruments Collection is a large collection of acoustic and electric instrument samples. Orchestral Instrument Collection is a collection of four different orchestral libraries, which can be purchased individually or as a bundle.

Audio effects included in the package include:
Auto Filter
Auto Pan
Beat Repeat
Chorus Compressor I
Compressor II
Dynamic Tube
EQ Eight
EQ Three
Erosion Filter
Delay Flanger
Gate Grain Delay
Phaser
Ping Pong Delay
Saturator
Simple Delay
Redux Resonators
Reverb Utility

Additionally there are a handful of MIDI-only effects including arpeggiator, chord, pitch, random, scale, and velocity. Live is also compatible with VST and AU plug-ins so you can utilise additional software instruments and effects.

Thursday, 13 November 2008

Making Music with Logic Pro

Welcome to part 2 of making music with Logic Pro. In this article we will cover getting started with your MIDI keyboard in Logic including set up for your audio card and drivers, latency and buffer size.

Once you have installed your MIDI keyboard and audio card, you will need to make sure that Logic communicates with them.

For Logic to communicate with external MIDI devices, first you will to configure the Audio MIDI Setup. The Audio MIDI setup is an application located within the Utilities folder (in Applications folder). You can quickly access it in the Apple menu bar: Go >Utilities (or press Command Shift U).

Once in the Utilities folder, open the Application Audio MIDI Setup, and click on the MIDI Devices button. You should see an IAC driver button, a network button and buttons for other MIDI devices connected to your computer. Please note that if you use a multi port MIDI interface with external MIDI devices (Synth, drum machine, etc...), you will need to make the connection manually.

Drivers for Audio Cards
To use a sound card with a computer, the operating system typically requires a specific device driver which you will have installed in the previous steps.

There are a few different driver formats available depending on the computer, the operating system and the sound card itself. Apple mac OS X uses Core Audio This driver for Mac OSX is tightly integrated into the operating system. It works with external sound cards as well as the Mac's integrated sound card (known as built-in). Nowadays, many soundcards support Core Audio out of the box, you simply 'plug & play'.

Set Up Your Audio Card with Logic
Now you have to make sure that Logic communicates with your audio card. In Preferences, select Audio > Devices > Core Audio.

Now you need to select the correct driver for your audio card. Use the drop down menu Device in order to select the appropriate driver.

Common Problems:
What Is Latency? When making music using software, the computer has a huge amount of information to process before being able to output the sound to your speakers.

This means that when you press a key on your MIDI keyboard to trigger a sound from a software synth for example, there will be a delay before you hear the sound. This delay is known as the latency.

As you can imagine, if the latency is too pronounced it will become extremely difficult to play any musical part, which is why it is important to use the best driver you can with your sound card. Furthermore there are certain parameters that you can adjust in order to improve your latency.

Buffer Size
You can reduce the latency by adjusting the audio buffer size. A small buffer size will reduce the latency, where a bigger value will increase the delay time considerably. So why not have the buffer size to the minimum value all the time to make the system more playable? Well, it is not as simple as that.

There are several parameters that directly affect each other. If the buffer size affects the latency, it also affects the processing power available to the software. Software instruments need processing power (CPU), so that the more CPU you have, the more software instruments you can load at one given time. Basically a small buffer size will put more strain on your computer in order to get a smaller latency (delay), thus using more CPU.

If you would like to learn more about Logic view our Logic Courses section on the Pointblank website.

Friday, 22 August 2008

How To Make a Track in Cubase



OK - so let's take a look at some of these DAW's that we were talking about in yesterdays post.

Here's an insight into how a track is put together in CUBASE. Acclaimed producer and Point Blank Tutor Danny J Lewis demonstrates how the various elements in a tune work together and how they are arranged within Cubase.

You'll notice that Danny has used software synths (or VST's as they are sometimes called) along with audio tracks and various effects.






If you like the sound of this then the track is called "I Can See The Light". It's by Enzyme Black and is available to download here:
http://www.traxsource.com/index.php?act=show&fc=tpage&cr=titles&cv=20587

If you would like to learn more about making music with Cubase then head for:
Cubase Courses

Wednesday, 20 August 2008

Introducing Point Blank's Music Production Blog


Hi and thanks for checking us out.


The purpose of this blog is to offer professional insights into music production, sound engineering, DJ skills and a variety of other music business subjects. The contributors are all on the teaching staff at Point Blank which is a music school based in London, UK.

If you have not come across Point Blank before then let us introduce ourselves...

Point Blank has been voted “Best Music Production & DJ School” for the last six consecutive years by the readers of DJ magazine.

Why? Well, the school prides itself on small classes and personalised teaching from music industry pro’s. Among the teaching staff are Grammy winners and songwriters with record sales in the millions. Plus producers and remixers who’ve worked alongside the likes of Bjork, Massive Attack, New Order, Leftfield, Portishead and many others. These guys will be sharing their experience and expertise right here with a variety of tutorials, tips and occasional rants.

The school welcomes students from all over the world each term. You can find out more about the courses on offer in London at http://www.pointblanklondon.com/




And for those of you who don't live in the UK we have a range of online music courses which attract music makers from all over the world. You can check them out at http://www.pointblankonline.net/